Sometimes the simpliest things are all you need


This dish from VeganYumYum (hate the name, love their recipes) turned out really well. There isn’t a lot of sauce, so I was worried that it would be too bland, but it really had a subtle, sneaky flavor to it. It’s mostly due to the lime juice, which I’ve never really cooked with before so I didn’t know how potent it could be. All three of the elements (collards, quinoa and tofu) contain lime juice, but it’s never too much.
Collards are perfect for this and are quickly becoming my favorite green. Not that there was much competition, but every time I make collards, not matter how I do it, it always comes out bright green and delicious.
I haven’t cooked tofu too much in the past on the stove, mostly because I’m always that it’s going to fall apart before done. The method used here worked though. Without any oil at all in the non-stick pan, you squeeze the water out of the tofu. The less water, the firmer it will get. As the recipe states, you have to be easy with it at first so that the tofu doesn’t fall apart, but eventually it firms up and grills really nice. The grilled tofu flavor alone is delicious and the lime sauce over top really complements it well. I want to cook more dishes like this in the future, so it may be time to get a wok.
1. Saturday afternoon I went to the movie theater to see A Serious Man. I thought it was a great movie, but the crowd was annoying. They laughed throughout the movie at times that seemed inappropriate to me. I couldn’t tell if they really thought something was funny or they only laughed because they didn’t know what else to do. There were certainly parts of the movie that were meant to be humorous, but some much of it all seemed, well, serious. I just couldn’t understand and I started to hate the audience.
When I got home that afternoon, I cracked open Chuck Klosterman’s new book Eating The Dinosaur and read an essay about laugh tracks. In the essay Klosterman contends that Americans laughs most of the time not because something is funny but because it’s a way to fill silence.
2. In the very same book, I read an essay mainly about Garth Brooks and his failed alter-ego Chris Gaines. Klosterman makes a reference to David Johannsen, the singer of protopunk band The New York Dolls. He mentions his successful alter-ego Buster Poindexter.
Later that evening I’m listening to the podcast Never Not Funny and they bring up Buster Poindexter, joking about his hit song “Hot Hot Hot”.
I don’t know what to make of all of this.
I’m up early to let you, my longtime, faithful readers of this blog know how my shirt print turned out last night. No, actually I’m up early to go the gym before work.
Anyway, as you know, I set out yesterday to print the “DON’T GIVE UP” design onto a t-shirt. The original test on paper was a success, so I was ready to take a shot at my goal.
I bought a gray shirt at American Apparel. Not only are their shirts American made, but they are very soft and comfortable, noticeably so over other brands (although I’m wearing an Anvil WFMU shirt now it’s pretty soft). American Apparel shirts are also very expensive if you don’t have a wholesale account, which I don’t. But I decided to bite the bullet. I’d have to make sure to get a good print because I’d only have one chance.
I set up the small press like yesterday. The screen was dry, but in cleaning off the paint the day before, some of the unnecessary holes opened up again. So I had to plug those up with some emusion.
I had some old white t-shirts that I ironed and tried first. It was difficult to know exactly how to position them on the press. They came out ok, but there were still a lot of specs. There was especially a lot of extracurricular activity to the right of the “D”, so I just put some masking tape over the area.
Finally it was time to see if I would be wasting a shirt or not. I put the shirt on the press and did my best to position it and lowered the screen down…and it came out great! The letters are as crisp as they could be and there’s no extra printing accept for a small spec below the design. All of the letters look really straight how they should be, like it was a real shirt!
A let the shirt dry for about an hour and then ironed the design with some rice paper over it. It’s a good idea to iron the design just so the ink really gets into the fabric, I’ve read. And there should be some kind of paper over the shirt when you iron so that the colors don’t run.
And that’s it, I have a new shirt!

I’m pretty much done with this design now, so this weekend I may take on the tedious task of cleaning all of the emulsion out of the screen so that I can use it for something else. But I don’t know what that something else is yet. I have some ideas for shirts and posters that I can make and my next step is probably to try a multi-color design. This means buying another screen, which is something I’d have to do eventually. But should I buy one, or make one? I could get pieces of wood cut for the frame and buy some fabric so that I could assemble the frame myself. This would take some time, but I think it would be cheaper too. We’ll see.
Any posters or shirts that you’d want to see?
I was at The Print Center downtown a few weeks ago for Museum Day when I came across a book that I’ve seen many times before: Print Liberation’s The Screen Printing Primer. It was just staring at me, daring me to do it. Why couldn’t I screen print? I remember doing some designs back in high school and it was a lot of fun. Ok, let’s do it!
I bought the book and started gathering up my supplies. It took a while to make sure I got everything, but mostly I just had to make sure I set up a system that worked in my apartment. There were a few things going against me in the one bedroom that I live. For one, I don’t have access to a basement, so there’s no “darkroom.” Second, I didn’t have a work sink that I could dirty up with paint and emulsion. And of course space was a problem. But eventually I collected everything that I needed and got to work.
This past Sunday I started the process by coating my screen with emulsion. I didn’t have a “scoop coater” (although I should, they aren’t too expensive), so I just used a spoon and squeegee to spread the emulsion fluid as smoothly as possible on both sides of the screen. Turns out I didn’t do it very smoothly at all and you can only go over it so many times before you just have to live with it. By the way, this has to be done in the dark as the emulsion is light sensitive. Once the coating was done, I put the screen over a box in my closet and closed the door. Very high tech.
Turns out you have to wait a day for the emulsion to dry, which is kind of a bummer because I was hoping I could take a Sunday to bust out some sweet ass prints (I think I just blushed typing that). Oh well, I’ll have to Monday evening.
Fast forward to tonight when it was finally time to burn that images onto the screen. It was nice of the Print Liberation folks to include a few of their designs in the book as transparencies so that you can try it all without having a design of your own. I decided to use their “DON’T GIVE UP” design that they are known for. It was perfect because I actually thought about buying one of their shirts at their store in Northern Liberties, but if all goes well, now I won’t have to. Again, super cool of them to put their design out there like that knowing that people will probably be printing it all over the place, especially on shirts.
To me it’s a great slogan. It’s ambigious and maybe that’s why it works, but to me “DON’T GIVE UP” means not giving up on whatever it is that you want to do. Almost noone starts with their dream job or profession right off the bat, usually getting to that level requires a lot of work on your craft. While doing this, it’s easy to give up and just fall in line with whatever job you have at the time, whether it’s working at a restaurant or in some dead-end office job. So “DON’T GIVE UP” is just a simple slogan that’s pretty good to live your life by. You may not be where you are right now, but keep working and keep moving somehow and maybe it’ll work out for you. The only way you fail is in if you give up. That’s what it means to me, but to you maybe it means DON’T GIVE UP on life. Or maybe it means nothing to you and you think it’s stupid. Moving on…
To expose the image onto screen, you place the design between screen and a light source. It helps if you place a sheet of glass on top of the design to keep it in place and close to the screen, as shown below.

The lamp that I used was a three-headed monster that I put three 100 W bulbs into. The book suggested a light source that could handle 500 W, but I didn’t really want to invest in one. Instead, a decided to throw in three bulbs with an intensity greater than suggested on the stickers on the lamp. It explicitly stated that I shouldn’t do such a thing, but I did it anyway. Luckily nothing caught fire later (spoiler alert). Perhaps I’ll invest in a better lamp.
With the help of a Speedball (the company that I bought a lot of the supplies from) tutorial, I calculated pass on the wattage, size of the screen and distance from the light to the screen that I should keep the light on for about 16 minutes. Besides the charts, it was just an educated guess on my part and being my first time I was prepared with doing this all for nothing and having to start over.
But this turned out to the right amount. After the sixteen minutes, I rinsed the screen in the shower and took it outside to our backyard. I don’t have a basement, but at least I have a hose and drain in my little copplestone backyard that turned out to be pretty handy. I rinsed and rinsed the screen and it first it seemed to be all for nothing, the image just wasn’t dissolving through the screen. But then as I concentrated more on the faint letters, the emulsion began to dissolve away how it should. I held the screen up to the setting sun.

It worked! It actually worked! There were a few holes, but for the most part I had the design as I wanted it and the light was only coming through the area that I wanted to print.
My next step was to take a painter’s palette knife and cover up the small holes with some emulsion

This didn’t take long to dry and finally it was time to print.
The Speedball screen that I purchased came packages with a hinge system that was easy to screw and worked perfectly.

And there you have it! I only printed a few sheets, but it came out pretty well. On closer examination, the print isn’t perfect and crisp on the edges, but that’s what makes screenprinting so great, the imperfections.

And that’s about it. I rinsed all of the ink of the screen outside (it was dark and cold out there now) and called it night. But tomorrow I’ll bring the print out again to make a few “DON’T GIVE UP” t-shirts. I’ll make sure to post about that tomorrow.
Hello! Another blog, hm, that’s really necessary, right? Well, we’ll see what happens here. Ok, I have to configure everything now.